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The turn of the 21st century saw a post-punk revival in British and American alternative rock, which soon started appearing in many different countries as well. The earliest sign of a revival was the emergence of various underground bands in the mid-90s. However, the first commercially successful bands, [[Interpol (band)|Interpol]], [[Editors]], [[Franz Ferdinand (band)|Franz Ferdinand]], and [[The Strokes]], surfaced in the late 1990s to early 2000s. Modern post-punk is far more commercially successful than in the 1970s and 1980s.
The turn of the 21st century saw a post-punk revival in British and American alternative rock, which soon started appearing in many different countries as well. The earliest sign of a revival was the emergence of various underground bands in the mid-90s. However, the first commercially successful bands, [[Interpol (band)|Interpol]], [[Editors]], [[Franz Ferdinand (band)|Franz Ferdinand]], and [[The Strokes]], surfaced in the late 1990s to early 2000s. Modern post-punk is far more commercially successful than in the 1970s and 1980s.


==See also==
==See also{{CN}}==
*[[Art punk]]
*[[Art punk]]
*[[Cassette culture]]
*[[Cassette culture]]

Revisió del 06:01, 16 març 2012

Infotaula de gènere musicalPost-punk
Orígens estilísticsPunk rock, art rock, krautrock, electrònica, rock progressiu, dub, funk, reggae, experimental, disco
Orígens culturalsMitjans del 1970, Regne Unit, EUA, Austràlia
Instruments típicsBateria - Guitarra - Baix - Sintetitzador - Teclats - Bateria electrònica - Electrònics modificats - Saxòfon
Popularitat al MainstreamModerada a finals dels anys 1970, moderada-alta a començaments dels anys 1980, moderada-baixa a finals dels anys 1980 i als 1990. Gran reviscolament a començaments dels anys 2000.
Formes derivadesRock alternatiu - Dark Wave - Rock gòtic - No Wave - Shoegazing - Indie rock - Post-punk revival - Industrial - Dance-rock - Dance-punk
OrigenRegne Unit Modifica el valor a Wikidata
Creació1978 Modifica el valor a Wikidata
Part demúsica punk Modifica el valor a Wikidata
Escenes regionals
Neerlandesa (Ultra) - Alemanya (Neue Deutsche Welle) - Francesa (Coldwave)
Altres temes
Música industrial - New Wave - No Wave

El Post-punk és un moviment de música rock amb arrels als finals dels anys 1970, tot seguit de l'explosió inicial del punk rock de mitjans dels 1970. Aquest gènere reté les seues arrels del moviment punk però d'una manera més introvertida, complexa i experimental.[1] En el post-punk jau la base del futur rock alternatiu mitjançant l'ampliació del rang del punk i la música underground incorporant-hi elements del Krautrock (particularment l'ús de sintetitzadors i l'extensa repetició), el dub jamaicà (específicament en el baix), el funk americà, l'experimentació a l'estudi i de, fins i tot el gènere més oposat tradicionalment al punk, la música disco al gènere.

Aquest gènere va trobar un lloc ferm a l'escena indie i va propiciar el desenvolupament d'altres gèneres com el rock gòtic, la música industrial i el rock alternatiu.

Origin of the term

The term "post punk" was used in 1977 by Sounds to describe Siouxsie and the Banshees.[2] In 1980 critic Greil Marcus referred to "Britain's postpunk pop avant-garde" in a July 24, 1980 Rolling Stone article. He applied the phrase to such bands as Gang of Four, The Raincoats, and Essential Logic, which he wrote were "sparked by a tension, humor, and sense of paradox plainly unique in present-day pop music."[3]

History

During the first wave of punk, roughly spanning 1974–1978, acts such as Sex Pistols, The Clash, Ramones, Patti Smith, The Saints and The Damned began to challenge the current styles and conventions of rock music by stripping the musical structure down to a few basic chords and progressions with an emphasis on speed.

Classic examples of post-punk outfits include Wire, The Sisters of Mercy, Siouxsie and the Banshees, Magazine, Public Image Ltd, The Fall, Joy Division, Subway Sect, Neu Electrikk, Gang of Four, New Order, The Teardrop Explodes, The Sound, U2, Echo & the Bunnymen, The Birthday Party, The Psychedelic Furs, The Lords of the New Church, Killing Joke, The Cure, Bauhaus, Devo, The Jesus and Mary Chain, and Crass. Several bands formed in the wake of traditional punk rock groups: Magazine was formed by Howard Devoto, formerly of Buzzcocks, for instance, and Public Image Ltd derived from the Sex Pistols. A list of predecessors to the post-punk genre of music might include Television, whose album Marquee Moon, although released in 1977 (and recorded in 1976) at the height of punk, is universally considered post-punk in style. Other groups, such as The Clash, remained predominantly punk in nature, yet were inspired by the experimentalism of post-punk, most notably in their album Sandinista!.

Championed by late night BBC DJ John Peel and record label/shop Rough Trade (amongst others, including Postcard Records, Factory Records, Axis/4AD, Falling A Records, Industrial Records, Fast Product, and Mute Records), "post-punk" could arguably be said to encompass many diverse groups and musicians.

Fitxer:Sonic1991b.jpg
Kim Gordon of Sonic Youth, walking over her bass guitar.

Around 1977, in North America, the New York No Wave was also tied in with the emerging eurocentric post-punk movement. With bands and artists such as Teenage Jesus and the Jerks, Glenn Branca, Rhys Chatham, Mars, James Chance and the Contortions, DNA, Bush Tetras, Theoretical Girls, Swans, and Sonic Youth. No Wave focused more on performance art than actual coherent musical structure. The Brian Eno-produced No New York compilation is considered the quintessential testament to the history of No Wave.[4]

The original post-punk movement ended as the bands associated with the movement turned away from its aesthetics, just as post-punk bands had originally left punk rock behind in favor of new sounds. Many post-punk bands, most notably The Cure and Siouxsie and the Banshees, evolved into gothic rock and became identified with the goth subculture. Some shifted to a more commercial New Wave sound (such as Gang of Four),[5][6] while others were fixtures on American college radio and became early examples of alternative rock. In the United States driven by MTV and alternative radio stations a number of post punk acts had an influence on or became part of the Second British Invasion of "New Music" there.[7][8][9][10]

Post-punk revival

The turn of the 21st century saw a post-punk revival in British and American alternative rock, which soon started appearing in many different countries as well. The earliest sign of a revival was the emergence of various underground bands in the mid-90s. However, the first commercially successful bands, Interpol, Editors, Franz Ferdinand, and The Strokes, surfaced in the late 1990s to early 2000s. Modern post-punk is far more commercially successful than in the 1970s and 1980s.

See also[cal citació]

Notes

  1. Erlewine, Stephen Thomas. "[http://www.allmusic.com/explore/essay/ Post-Punk]" Allmusic. Retrieved 2 November 2006.
  2. Dave Thompshon "Alternative Rock," p. 60, reprinted by Google Books
  3. Greil Marcus, Ranters and Crowd Pleasers, p. 109
  4. Masters, Marc. No Wave. New York City: Black Dog Publishing, 2008, p. 9. ISBN 190615502X. 
  5. [http://www.allmusic.com/album/r1687662 Songs of The Free Bonus Tracks Allmusic review]
  6. [http://www.allmusic.com/album/r7986 Hard Allmusic review]
  7. Triumph of the New Newsweek on Campus reprinted by the Michigan Daily March 2, 1984
  8. The Death of New Wave Theo Canteforis Syracuse University 2009
  9. "Rip it Up and Start Again Post Punk 1978-1984" by Simon Reynolds
  10. Tarnished gold: the record industry revisited" Von R. Serge Denisoff, William L. Schurk p. 441

External links

Further reading

  • Heylin, Clinton. 2007 Babylon's Burning: From Punk to Grunge. (Initially issued on Viking). Reissued in 2008. 720 pages. Penguin. ISBN 978-0141024318
  • Reynolds, Simon. 2006. "Rip it Up and Start Again: Postpunk 1978 - 1984". London: Faber&Faber. ISBN 9780571215706
  • McNeil, Legs and Gillian McCain. 1997. "Please Kill Me: The Uncensored Oral History of Punk". London: Little, Brown Book Group. ISBN 9780349108803
  • Hebdige, Dick. 1979. "Subculture: The Meaning of Style". London: Taylor & Francis. ISBN 9780415039499

Plantilla:Punk